NUVOLE(2022/23) concerto for oboe and chamber orchestra
instrumentation: 1/1/1/1 - 2/1/1/0 - 1 hrp/1 cel./2 perc. - oboe solo (also oboe d'amore) - strings
dedication: for Viola Wilmsen
duration: ca. 25 minutes
WP: Viola Wilmsen, Norddeutsche Philharmonie Rostock, cond. Marcus Bosch (Volkstheater Rostock, Großes Haus, 10.11.2024, 11.11.2024, 12.11.2024)
recording:
publisher: A.B.
commentary
part of score
Sechs Nachtstücke(2021) for chamber orchestra
instrumentation: 1/2/1/1 - 2/1/1/0 - 1 harpsichord/1 perc. - strings
dedication: for Jan Michael Horstmann
duration: ca. 21 minutes
WP: Mitteldeutsche Kammerphilharmonie Schönebeck, cond. Michael Schneider (Staßfurt, Salzlandtheater, 21.10.2021, Schönebeck, Dr.Tolberg-Saal, 22.10.2021, Magdeburg, Gesellschaftshaus, 24.10.2021)
recording: A.B.
publisher: A.B.
commission of the Mitteldeutsche Kammerphilharmonie Schönebeck
commentary
part of score
ADAGIO(2013/14) for orchestra
instrumentation: 2/2/2/2 - 4/2/2/1 - 1 hrp./1 cel./2 perc. - strings
dedication: for Susanne Resch
duration: ca. 25 minutes
WP: Philharmonisches Orchester Würzburg, cond. Evan Christ (concert hall of the Hochschule für Musik Würzburg, 6.4.2017)
further performance: Hessisches Staatsorchester Wiesbaden, cond. Jiří Rožeň (Staatstheater Wiesbaden, Kurhaus, Friedrich-von-Thiersch-Saal, 17.4.2024; broadcasted by HR)
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recording: A.B. and HR
publisher: A.B.
commission of the Mainfranken Theater Würzburg
commentary
sound sample
part of score
Sept Nouvelles Variations(2012) for orchestra
instrumentation: 2/2/2/2 - 4/2/2/1 - 1 hrp./1 cel./2 perc. - strings
duration: ca. 24 minutes
WP: Staatsorchester Darmstadt, cond.: Martin Lukas Meister (Staatstheater Darmstadt, Kleines Haus, 28.6.2014
further performances: Philharmonisches Orchester Gießen, cond. Florian Ludwig (Stadttheater Gießen, Großes Haus, 6.10.2020; broadcasted by HR); Clara-Schumann-Philharmoniker Plauen-Zwickau, cond. Leo Siberski (Konzert- und Ballhaus Neue Welt Zwickau, Vogtlandtheater Plauen, 19. resp. 20.1.2023)
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recording: A.B. and HR
publisher: A.B.
commentary
part of score
Wie der Elefant seinen Rüssel bekam(2011) a musical tale by Alois Bröder on a story by Rudyard Kipling for narrator and small orchestra
instrumentation: 1/1/1/1 - 1/1/2/1 - 1 hrp./1 cel./2 perc. - narrator - strings
duration: ca. 30 minutes
WP: Martin Baltscheit, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, cond. Clemens Schuldt (SWR Studio Kaiserslautern, 22.6.2013, concerts for pupils 21.6.2013; Großer Sendesaal Saarländischer Rundfunk, Saarbrücken, 23.6.2013, concerts for pupils 20.6.2013)
live broadcasting 23.6.2013, SR2 KulturRadio
visualization by students of the Hochschule der Bildenden Künste Saar (Sherryl Burgard, Wenwen Fei, Felix Wilcken)
recording: A.B. or SR
publisher: A.B.
video clip
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short description of contents
subtitles
commentary
part of score
20 Signale(2010) for orchestra
instrumentation: different instrumentations (details)
total duration: ca. 41 minutes (details)
WP: Bergische Symphoniker, cond. Peter Kuhn:
7./8.9.2010, 12./13.10.2010 (cond. Rasmus Baumann), 9./10.11.2010, 30.11./1.12.2010, 11./12.1.2011, 29./30.3.2011 (with Victoria Granlund, soprano), 3./4.5.2011, 24./25.5.2011, 21./22.6.2011, 12./13.7.2011 (respectively Konzertsaal Solingen resp. Teo Otto Theater Remscheid)
recording: A.B. (Nr.9+10 also WDR)
publisher: A.B.
commission of the Bergische Symphoniker (orchestra from the cities Remscheid and Solingen)
(After the cyclic world premiere the 20 short compositions, related to the respective following work, can be performed also separately.)
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Feature by Elfi Vomberg, WDR 3, "TonArt", 28.3.2011, ca. 5'20'' (5110 KB)
relations
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part of score
18 Signale(2008) for orchestra
instrumentation: 2/2/2/2 - 4/2/2/1 - 1 hrp./1 cel./2 perc. - strings
duration: ca. 21 minutes
WP: Philharmonisches Staatsorchester Mainz:
18./19.9.2009, cond. Catherine Rückwardt; 16./17.10.2009, cond. Zsolt Hamar; 13./14.11 2009, cond. Catherine Rückwardt; 11./12.12.2009, cond. Catherine Rückwardt (broadcasted by SWR); 19./20.2.2010, cond. Catherine Rückwardt; 19./20.3.2010, cond. Thomas Dorsch; 23./24.4.2010, cond. Catherine Rückwardt; 21./22.5.2010, cond. Andreas Spering; 2./3.7.2010, cond. Catherine Rückwardt (respectively Staatstheater Mainz, Großes Haus)
recording: A.B. resp. Staatstheater Mainz (Nr.13+14 also SWR)
publisher: A.B.
commission of the Philharmonisches Staatsorchester Mainz
(After the cyclic world premiere the 18 short compositions, related to a work of similar instrumentation, can be performed also separately.)
commentary
sound sample
part of score
1. Symphonie(2005/06) for large orchestra
instrumentation: 3/3/3/3 - 4/3/3/1 - 1 hrp./1 pno.(also cel.)/4 perc. - strings
duration: ca. 32 minutes
publisher: A.B.
commentary
part of score
Vingt Moments(2003) for orchestra
instrumentation: 2/2/2/2 - 2/2/2/1 - 1 hrp./1 pno./ 2 perc. - strings
dedication: for Thomas Müller
duration: ca. 15 minutes
WP of the 'interrupted' version: Mittelsächsische Philharmonie Freiberg, cond. Jan Michael Horstmann (Dom St. Marien at Freiberg, 3.9.2005)
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WP of the not 'interrupted' version: Staatsphilharmonie Rheinland-Pfalz, cond. Ari Rasilainen (Festhalle Landau, 27.9.2006; Fruchthalle Kaiserslautern, 28.9.2006; Rosengarten Mannheim, 29.9.2006; Rheingoldhalle Mainz, 30.9.2006)
further performances: Thüringen Philharmonie Gotha-Suhl, cond. Alun Francis (Congress Centrum Suhl, 1.11.2006; Kulturhaus Gotha, 2.11.2006); Philharmonisches Orchester Erfurt, cond. Samuel Bächli (Theater Erfurt, 23.1. and 24.1.2014)
recording: "Aufbruch ins dritte Jahrtausend" resp. A.B.
publisher: A.B
commentary 1
commentary 2
reviews
part of score
Lachen. Weinen. Blühen. Vergehen.(2003) music for mezzo-soprano and large orchestra on texts by Rainer Maria Rilke
instrumentation: 3/3/3/3 - 4/3/3/1 - 1 hrp./1 pno.(also cel.)/3 perc. - mezzosoprano - strings
dedication: for Dr. Michael Löbig
duration: ca. 21 minutes
WP: Uta Christina Georg, Niederrheinische Sinfoniker, cond. Kenneth Duryea (Seidenweberhaus Krefeld, 13.1.2004; Theater Mönchengladbach, 14.1.2004; Kaiser-Friedrich-Halle Mönchengladbach, 15.1.2004; Seidenweberhaus Krefeld, 16.1.2004)
recording: A.B. or FH Düsseldorf
publisher: A.B.
commission of the Niederrheinische Sinfoniker
texts
commentary
reviews
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Sredi Polnoči/Mitten um Mitternacht(2000/01) for large orchestra, soprano, mezzo-soprano and male choir, text by Srečko Kosovel
dedication: for Lior Shambadal
instrumentation: 3/3/3/3 - 4/3/3/1 - 1 hrp./1 pno.(also cel.)/1 timp./3 perc. - soprano/mezzo-soprano/male choir - strings
duration: ca. 23 minutes
WP: Andreja Zakonjšek, Mirjam Kalin, RTV Slovenija Chamber Choir Ljubljana (chorus master: Stojan Kuret), RTV Slovenija Symphony Orchestra Ljubljana, cond. Lior Shambadal (Gallusova dvorana Cankarjevega doma Ljubljana, 15.5.2003; broadcasted live by slovenian radio and also broadcasted two times by slovenian television; production by RTV Slovenija; broadcasted by DLR Berlin)
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recording: A.B. or RTV Slovenija
publisher: A.B.
commission of RTV Slovenija
texts
commentary
review
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Sept Variations(1998/99) for orchestra
dedication: for Kathrin Liebhäuser
instrumentation: 2/2/2/2 - 2/2/2/1 - 1 hrp./1 cel./1 acc./2 perc. - strings
duration: ca. 16 minutes
WP: Kammerphilharmonie Merck, cond. Christian Rudolf Riedel (Orangerie Darmstadt, 18.11.2000)
further performances: Jenaer Philharmonie, cond. Andrey Boreyko (Volkshaus Jena, 6.9.2002)
Sinfonieorchester Aachen, cond. Lior Shambadal (Eurogress Aachen, 15. and 16.1.2003)
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Landestheaterorchester Coburg, cond. Alois Seidlmeier (Landestheater Coburg, Großes Haus, 8.5.2006)
Loh-Orchester Sondershausen, cond. Pit Uhden (Haus der Kunst Sondershausen, 17.5.2008; Theater Nordhausen, 18.5.2008)
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Meininger Hofkapelle, cond. Philippe Bach (Südthüringisches Staatstheater Meiningen, Großes Haus, 20.1.2010; Landestheater Eisenach, Großes Haus, 21.1.2010); Philharmonisches Orchester Gießen, cond. Florian Ludwig (Stadttheater Gießen, Großes Haus, 8.3.2022; broadcasted by HR)
recording: A.B.
publisher: Edition Gravis
commission of the Kammerphilharmonie Merck
commentary
reviews
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Left Silence(1996/97) for mezzo-soprano and large orchestra, on texts by Richard Exner
instrumentation: 3/3/3/3 - 4/3/3/1 - 1 hrp./1 pno.(also cel.)/1 timp./3 perc. - mezzosoprano - strings
duration: ca. 20 minutes
WP: Silvia Hablowetz, Bielefelder Philharmoniker, cond. Peter Kuhn (Rudolf-Oetker-Halle Bielefeld, 21. and 23.12.2001; broadcasted by WDR, MDR, BR and RBB)
recording: A.B. or WDR
publisher: Edition Gravis
texts
commentary
reviews
sound sample
part of score
Îsôt als blansche mains(1989/90) for large orchestra (with female choir ad lib)
instrumentation: 3/3/3/3 - 4/3/3/1 - 2 hrp../1 pno.(also cel.)/3 perc. - female choir ad lib. - strings
duration: ca. 15 minutes
WP of the instrumental version: Tokyo Metropolitan Symphony Orchestra, cond. Michiyoshi Inoue (Tokyo Bunka Kaikan, 6.10.1993)
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WP of the vocal version: Radiophilharmonie Hannover of the NDR, Camerata Vocale Hannover (chorus master: Hans Dieter Reinecke), cond. Johannes Kalitzke (Großer Sendesaal of the Landesfunkhauses Hannover, "Tage der Neuen Musik", 28.1.1994; broadcasted by NDR, RB, SR, HR, RBB and SWR)
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first performance of the instrumental version in Germany: Remscheider Symphoniker, cond. Klaus Eckhard Schneider (Theater Remscheid, 24. and 25.8.1994; broadcasted by WDR)
further performance: Orchestra of the Staatstheaters Darmstadt, Choir of the Musikverein Darmstadt (chorus master: André Weiss), cond. Peter Gülke (Staatstheater Darmstadt, 8.2.1998)
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as ballet
recording: Portrait-CD
publisher: A.B.
commentary
award
reviews (still partly in German only)
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Exit(1993) for orchestra
instrumentation: 2/2/2/2 - 4/2/3/1 - 1 hrp./1 timp./2 perc. - strings
dedication: for my mother, Marianne Bröder born Einhaus
duration: ca. 21 minutes
WP: Orchestra of the Nordharzer Städtebundtheater, cond. Christian Hammer (Großes Haus Quedlinburg, 23.10.1999; Großes Haus Halberstadt, 24.10.1999)
recording: A.B.
publisher: A.B.
part of score
Elegie(1987) for small orchestra
instrumentation: 2/2/0/1 - 2/2/0/1- 1 perc. - strings
dedication: for Dr. Theo Piegler
duration: ca. 12 minutes
WP: Chamber Orchestra of the TH Darmstadt, cond. Stephan Kahlhöfer (Akademie für Tonkunst Darmstadt, "Tage für Neue Musik", 20.1.1988)
recording: A.B.
publisher: A.B.
part of score