In Traumgefieder (1999/2000) I tried to find in a dream-like shorten mode an acoustic correspondence for the process of falling apart from man and nature.
Only the development of the language had made human thinking possible at all, because through the formation of terms the procedure of the abstraction of the world of the phenomenons became possible. Language moved between man and his environment. Only this distance (sung lately also in the Rückert poem) made all further development of man possible, up to the in the meantime already conceivable destruction of his own by means of the equipments developed by himself.
Connecting to a monolith, different into one another passing situations take a course from indistinguishable unit to dividing oppositeness up to disappearing only the nature sounds, then, absorbed from mechanicalness, the human articulations. Which remains, sounds eternally.
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