In Kern.Spalte. Bröder plays skillfully with tonal fusions and opposite peculiarities of recorder and guitar. The attack of the first guitar chord the recorder dissolves in descending multiphonics. The extreme dynamics of both instruments creates a varied dialogue. Rhythmical parts with frequent changes of time and senza misura-sections demand determination and improvisational handling with the composition. Especially interesting are experiments in the piano range with flageolet, unstable tones and noises, with the successful attempt of a tonal approximation of recorder and guitar.
Lucia Mense
(from: Windkanal 4/2006)