Evocazione(2018) for guitar and harpsichord or fortepiano
dedication: for Stefan Barcsay and Dorothea Völker, and for Toni Völker, before and afterwards to his 70. birthday
duration: ca. 6 minutes
WP of the version with harpsichord: Stefan Barcsay, Dorothea Völker (Veitshöchheim/Würzburg, Bücherei im Bahnhof, 23.9.2018)
WP of the version with fortepiano: Stefan Barcsay, Stephanie Knauer (Augsburg, Maximilian Museum, 16.12.2018)
recording: A.B.
publisher: A.B.
commentary
part of score
Tre Pezzi(2018) for marimba and guitar
dedication: for Cornelia Monske and Olaf Van Gonnissen
duration: ca. 13 minutes
WP: Cornelia Monske, Olaf Van Gonnissen (Hamburg, St. Johannis-Kirche, 29.2.2020)
recording: A.B.
publisher: A.B.
commentary
part of score
Rapsodia(2016) for violin and harp
dedication: for Ingo de Haas and Anne-Sophie Bertrand
duration: ca. 14 minutes
WP: Ingo de Haas, Anne-Sophie Bertrand (Ludwigshafen, Kulturzentrum Freischwimmer, 21.8.2020)
recording: A.B.
publisher: A.B.
commentary
part of score
Trois Scènes(2015/16) for harmonium d'art and piano
dedication: for Jan Hennig and Ernst Breidenbach
duration: ca. 13 minutes
WP: Jan Hennig, Ernst Breidenbach (Akademie für Tonkunst Darmstadt, 30.9.2017)
recording: A.B.
publisher: A.B.
commentary
part of score
...volante...(2015) for two guitars
dedication: for Lucia Enzmann and Luca Weigand, and for Maximilian Mangold
duration: ca. 5 minutes
WP: Lucia Enzmann, Luca Weigand (Wilhelm-Hack-Museum Ludwigshafen, 13.12.2015)
recording: A.B., YouTube
publisher: Verlag Neue Musik
commentary
part of score
Drei Bilder(2015) for mandolin and vibraphone
dedication: for Gertrud Weyhofen and Sven Pollkötter
duration: ca. 11 minutes
WP: Gertrud Weyhofen, Sven Pollkötter (Musikakademie Kassel, 8.6.2015)
recording: A.B.
publisher: A.B.
commentary
pictures by Martin Jahn
part of score
Woher(2010/11) for two mandolins
dedication: for Gertrud Weyhofen and Veronika Schlereth
duration: ca. 11 minutes
WP: Gertrud Weyhofen, Veronika Schlereth (church St. Elisabeth, Musikakademie Kassel, 22.11.2014)
recording: A.B.
publisher: PAN Verlag
commentary
part of score
33 Gesten(2010) for guitar and harp
dedication: for Mirjam Schröder and Maximilian Mangold
duration: ca. 18 minutes
WP: Maximilian Mangold, Mirjam Schröder (Klangwerkstatt Detmold, 27.11.2010)
photo
recording: A.B
publisher: Verlag Neue Musik
commentary
part of score
Rondes(2007) for guitar and harp
dedication: for Mirjam Schröder and Maximilian Mangold
duration: ca. 11 minutes
WP: Maximilian Mangold, Mirjam Schröder (Eilenburg, Martin-Rinckart-Gymnasium, 28.9.2007)
recording: Musica Mágica
publisher: Verlag Neue Musik
commentary
review
part of score
Lieder ohne Worte(2006) for violin and marimba with one tamtam
duration: ca. 13 minutes
publisher: A.B.
commentary
part of score
Nachtstück(2002) for trombone and percussion (1 player)
duration: ca. 11 minutes
WP: Thomas Horch, Andreas Moser (Gasteig München, 10.7.2007)
publisher: A.B.
part of score
Abbozzi(1995) eighteen pieces for guitar and piano
dedication: for Friederike Richter and Olaf Van Gonnissen
duration: ca. 11 minutes
WP: Olaf Van Gonnissen, Friederike Richter (Akademie für Tonkunst Darmstadt, "Tage für Neue Musik", 17.2.1996)
recording: Kammermusik mit Gitarre
publisher: Verlag Neue Musik (cover: Gert Wiedmaier)
commentary
review
part of score
non comodo(1994) seven pieces for two accordions (with two resp. three manuals)
duration: 8-9 minutes
WP: Constanze Sauer, Christiane Ruppaner (Akademie für Tonkunst Darmstadt, "Tage für Neue Musik", 27.2.2002)
recording: A.B.
publisher: Hohner Verlag Mainz
commission of the Deutscher Harmonika-Verband Trossingen
part of score
ZinnoberRot & Flatterzunge(1994) for flute and clarinet; collaboration with the artist Hannes Pohle
duration: ca. 15 minutes
WP: Angelika Bender, Thomas Löffler (Galerie H.Bergmann und K.Hoffmann, Bahnhof Groß-Bieberau, 19.8.1994)
recording: A.B.
examples of pictures
...keine Fährte zurückbleibt(1994) for two guitars, with a text by Sami no Mansei
duration: 16-21 minutes
WP: Sayuri Takahama, Christoph Jäggin (Poschiavo/Switzerland, "Settimane Musicali Poschiavo", 19.7.1994)
recording: none
publisher: Gitarren Forum Winterthur
text
part of score
Sprünge(1992) for violoncello and guitar
duration: ca. 9 minutes
WP: Harald Georgi, Ulrike Gaßner (Konzerthaus at Gendarmenmarkt Berlin, 25.5.1994; HR-production: Wolfgang Lessing, Helmut Oesterreich)
recording: Portrait CD
publisher: Verlag Neue Musik
award
commentary
review
part of score
Kern.Spalte.(1991/92) for alto recorder and guitar (also version for flute and guitar)
duration: ca. 6 minutes
WP: Susanne Resch, Alois Bröder (Cyriakus-Kirche Frankfurt am Main, 8.3.1992)
recording: Kammermusik mit Gitarre
publisher: Verlag Neue Musik
commentary
review
part of score
Eros(ion)(1988) six pieces for snare drum and tenor drum (2 players)
duration: ca. 7 minutes
WP: Berthold Anhalt, Michael Schüller (Akademie für Tonkunst Darmstadt, "Tage für Neue Musik", 28.1.1989; tape: HR)
recording: A.B. or HR
publisher: Edition Tonger
commentary
review
part of score
Subimago(1987) for viola and piano
dedication: for Toni Völker
duration: ca. 11 minutes
WP: Michael Hanko, Elke Rein (Akademie für Tonkunst Darmstadt, "Tage für Neue Musik", 16.1.1988; broadcasted by HR)
recording: A.B. or HR
publisher: Edition Tonger
commentary
part of score