It is difficult for me to express the name Auschwitz; since I learned this word within childhood days, it weighs heavily on me. It still remains a great risk to make Auschwitz to an object of art; but a spark possibly catches fire in the failure of the attempt. Richard Exners text I found after a long search; it corresponds most exactly to my idea of a poetic approach which can renounce the cry. My choir composition is a piece of silence; a silence, which after-listens to the cry.